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Wave Editor utilizes a ‘regioning’ type system called SmartEdits. Without going into gratuitous detail, I’m going to touch on the elements of Wave Editor that really sets it apart from the other apps I’ve used. As I did this, the real power and elegance of the app became immediately apparent. After skimming the documentation and trying to fumble my way through the app for a few days, I came across some nice video tutorials over at Razormaid, and sat down with my copy as they walked through the basic functions. To really appreciate the benefits of this app, one must spend some time with it. Nearly every function of the application can be assigned to a custom keyboard command, which is ideal for people who appreciate elegance, speed, and giving a break to their mouse hand. It takes design cues from a variety of excellent applications (including SDII and even Photoshop), and offers extremely high quality algorithms and processes – all while keeping all the tools out of the way when you don’t need them. I’ve been testing Wave Editor for a few months now (both the release version 1.2.x and the beta version 1.3.x), and I can honestly say I’ve finally found the app I’ve been looking for. Quite an accomplishment for a two-man organization.
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If I had to compare them to any other Mac company I’ve worked with, my first thought would be the highly esteemed Omnigroup.
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From what little I know of the duo that make up AE, I can tell you that they are passionate about audio and the Mac platform, and dedicated to the pursuit of making highly functional, highly elegant Mac software solutions. Today, I’m happy to write, that my hope has been met.įirst, let me tell you a bit about the company.
My hope has always been to find a Mac app that gave me the speed and quality of SoundForge, but with a more refined interface. It isn’t pretty, but it does what I need it to do in a relatively fast way and produces consistent, quality results. Enter Audiofile Engineering’s Wave Editor.Īt work I’ve been using SoundForge daily for the past year as my primary editor. Deep down I still hoped there was something out there that might, someday, do exactly what I needed, without putting a lot of other stuff in my way.
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I had nearly given up – and was settled on continuing to use Logic Pro and Wave Burner for all of my edits. So I tried demos of other apps – Audacity never worked right with my audio interface, Soundbooth was too rudimentary, Soundtrack was nice until Apple killed the app-only option and bundled it into Final Cut studio, and DSP Quattro, while very capable, just never really resonated with my way of working. But as my needs grew, I continued to search for something that ‘flowed’ with my workflow.
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It had become too bloated, too complex, and I honestly couldn’t justify spending money on the upgrade with the level of editing I was doing. You might wonder how I’ve been doing all of my waveform editing during that time…and I might be wondering the same thing.īack when I was still using OS 9, I ran Peak as my primary editor – it was fast, relatively simple, and, well, one of the only games in town (SoundEdit 16 and Sound Designer II were both discontinued at the time). I have a confession to make: I haven’t had a good-quality 2-track audio editor installed on my Mac in several years. Brent Latta has given a newcomer a try - and perhaps found the right app for his workflow. CDM’s resident pro game composer and sound designer W.
Finding the perfect audio editor has eluded many Mac users of late.
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